Análisis de la arquitectura de las iglesias del centro histórico de la ciudad de Riobamba para su aplicación en la técnica de serigrafía.

Abstract

Currently, the plastic approaches which tackles the image creation require significant updating and modernization. This is due to the fact of various resources. Likewise, they should always be according of creativity and technique. In this way, serigraph is a printing technique that was born due the need of men to leave a trace of their activities and also it is a way to express art. Diagnostics carried out on university students of Graphic Design Career, reveal the insufficiencies in relation to the printing processes in serigraph techniques from the architecture analysis of the historic center in Riobamba city. This study retakes the cultural history where its purpose is to make known its own identity to achieve a result of perseverance in the memory of Ecuadorians and foreigners who visit the city. A history that leads to an architectural and iconographic rescue. At the same time, its learning by using characteristics that integrate the decoration and the construction of the mentioned churches to propitiate the increase of the tourism in the city through different representative architectural designs by serigraph techniques.